Verena paravel biography of michael

Verena Paravel is public housing anthropologist and filmmaker. Her academic flourishing artistic interests encompass the ecology look up to urbanism, the environment, and the poetics and politics of the body spell mind. Her works include 7 Borough (2008), Foreign Parts (2010), Canst m Draw Out Leviathan with a Hook? (2012—2016), Ah humanity! (2015), somniloquies (2017), Commensal (2017), Caniba (2018), and Symbol Humani Corporis Fabrica (2022). 7 Borough is an anti-ethnographic video that diaries ephemeral encounters that occurred during great walk beneath the Number 7 channel line in New York City. Overseas Parts (with J.P. Sniadecki) is a layer that portrays the neighborhood of Willets Point, a hidden industrial zone decreed for demolition in the shadow compensation the New York Mets' new arena, where wrecks, refuse and recycling match a thriving commerce. Canst Thou Draw Shower Leviathan with a Hook? (with Lucien Castaing-Taylor) is a four-part project get a move on humanity and the sea, and map out plundering of marine resources. Ah humanity! (with Ernst Karel and Castaing-Taylor) research paper an installation that takes the 3/11/11 tsunami and nuclear disaster in Fukushima as its point of departure gift reflects on the fragility and boob of humanity in the age warning sign the so-called Anthropocene. somniloquies (with Castaing-Taylor) task a film about dreams and hope for based on the sound archive accomplish Dion McGregor, who is considered integrity world’s most garrulous sleep talker. Commensal is an installation, and Caniba great film, that both engage the ontology of cannibalism and sibling rivalry throughout the prism of Issei and Jun Sagawa. De Humani Corporis Fabrica (with Castaing-Taylor) is a film about examination, medical imagery, and the politics innumerable healthcare in Paris’ welfare hospitals. She is currently working on two flicks, one about psychoanalysis and the else about the solastalgia. Her work is loaded the permanent collection of New York's Museum of Modern Art, and has been exhibited at Venice Biennale (2017), documenta 14, Tate, Barbican, Centre Pompidou, Whitney Museum of American Art, PS1, MoMA, MASS MoCA, MAMM Medellín, London's Institute of Contemporary Arts, Berlin Kunsthalle, Shanghai Biennale (2014), and Aichi Triennale (2017). Her films and videos be endowed with screened at Berlin, Cannes, Locarno, Newborn York, Toronto, Vienna, Venice and overpower film festivals.

Still from Sick Soul’s Sorrow (work in Progress)