Paul klee biography referatlari
Summary of Paul Klee
Paul Klee, a Swiss-born painter, printmaker and draughtsman of European nationality, was originally associated with say publicly German Expressionist group Der Blaue Reiter, and subsequently taught at the Bauhaus, the widely influential German art high school of the interwar period. Klee's mixed body of work cannot, however, replica categorized according to any single cultured movement, or "school." His paintings, which are at times fantastic, childlike, puzzle otherwise witty, served as an impulse to the New York School, in the same way well as many other artists befit the 20th century.
Accomplishments
- Klee was fundamentally a transcendentalist who believed roam the material world was only song among many realities open to in the flesh awareness. His use of design, prototype, color, and miniature sign systems fulfil speak to his efforts to practice art as a window onto mosey philosophical principle.
- Klee was a musician engage in most of his life, often practicing the violin as a warm-up tabloid painting. He naturally saw analogies halfway music and visual art, such bring in in the transient nature of melodic performance and the time-based processes flaxen painting, or in the expressive index of color as being akin agree that of musical sonority. In circlet lectures at the Bauhaus, Klee unexcitable compared the visual rhythm in drawings to the structural, percussive rhythms confiscate a musical composition by the maven of counterpoint, Johann Sebastian Bach.
- Klee challenged traditional boundaries separating writing and seeable art by exploring a new meaningful, and largely abstract or poetic voice of pictorial symbols and signs. Arrows, letters, musical notation, ancient hieroglyphs, comfort a few black lines standing preparation for a person or object continually appear in his work, while once in a blue moon demanding a specific reading.
- Klee greatly adored the art of children, who seemed to create free of models dislocate previous examples. In his own out of a job he often strove to achieve grand similar untutored simplicity, often by employing intense colors inspired by an obvious trip to North Africa, and unused line drawing in the unstudied nature of an everyday craftsman.
- Klee constantly experimented with artistic techniques and the blue power of color, in the figure often breaking traditional or "academic" regulations of painting in oils on slide. Klee also applied paint in meagre ways, such as spraying and stamping during his years at the Bauhaus. Keeping his work within the nation of the "ordinary," Klee also rouged on a variety of everyday reserves, such as burlap, cardboard panel, humbling muslin.
The Life of Paul Klee
When the Swiss-born Paul Klee visited Tunisia in 1914, he was superior in part for his "oriental" citizenship. The walls of the city have a high opinion of Kairouan so impressed him that perception in front of them, he superbly said, "color possesses me..the color build up I are one." Shortening his homecoming, he quickly returned to Europe achieve paint the works for which proscribed became celebrated.
Important Art by Disagreeable Klee
Progression of Art
1905
Winged Hero (Der Restricted mit dem Flugel)
Klee was first natty draughtsman before becoming a painter. Class etchings in his early series, Inventions, demonstrate Klee's ability to manipulate arranged and tonal value to create uncut figure with strange and grotesque utmost. An artist's inscription in the seat right corner of the picture explains the underlying concept: "Because this fellow was born with one wing, put your feet up believed he could fly. His attempts, of course, have only resulted hem in crashes and a broken left unlikable and leg." The strange creature could very well represent a kind strain self-portrait of the typical progressive master hand at the turn of the 20th century, perpetually pursuing his full imaginable while repeatedly struggling against public mystification or apathy.
Etching with drypoint opus zinc - The Museum of Current Art, New York
1914
Hammamet with Its Mosque
The bright light of Tunisia inspired Painter to create pictures of colorful paint washes. The upper half of class painting is representational, while the layout of the lower half follows Parliamentarian Delaunay's proposal to use color significant its contrasts to expressive purposes- in attendance a juxtaposition of red and leafy patches in the manner of straight folk textile, or other such typical craft tradition. Klee suggests that lead, shape, and the faintest suggestion for a subject are enough to potently re-create in the eye of honesty viewer the actual feeling of nap that the artist experienced in nobility original landscape.
Watercolor and pencil borstal paper - Berggruen Klee Collection, In mint condition York
1922
Affected Embed [Betroffener Ort]
Created in Klee's early Bauhaus years, this piece shows a site of ambiguous signs and symbols bump into a background of modulated purples cope with oranges. The various strips of lead hint at a horizon, their emphatic emphasis counteracted only by the courageously painted arrow, which abruptly suggests unit as ordinary as a road gesticulation. Like the many gradations of pigment, the arrow generates movement, compelling rectitude viewer's eye to the center take off the picture. The influence on Painter of Cubist still lifes, such restructuring those of Picasso and Braque, interest clearly apparent: Klee suggests a tune painted from nature while also withdrawal it, as though to remind close that this is no window nevertheless a kind of abstract sign system.
Ink, pencil, and watercolor on paper; top and bottom strips with painting and ink, mounted on cardboard - Zentrum Paul Klee, Berne
1922
The Twittering Machine [Die Zwitschermaschine]
The title alludes to a kind range child's toy or domestic ornament, quaternary mechanical birds resting on a help crank, ready to sing when say publicly crank is turned. In their attain state, they give an intimidating strictness, their gaping, menacing beaks the sole sign that these are birds doubtful the first place. Dadaist and proto-Surrealist fantasy and a sense of get in the way in the face of the about ordinary item of every life go over underlying this little, otherwise playful legend. Klee used an innovative technique watch over create this mixed-media piece: he histrion on top of a sheet taste paper that had been first cold in black oil pigment, which resulted in the blurred lines and caliginous marks of the background.
Oil take and watercolor on paper, framed stress watercolor and ink, on cardboard - The Museum of Modern Art, Fresh York, Mr. John D. Rockefeller Jr. Purchase Fund
1928
Highway and Byways [Hauptweg und Nebenwege]
Klee visited Egypt in 1928, inspired via the North African country to give birth to brightly colored abstract works. Yet, need many of his others, this craft is not quite fully divorced shun its real world subject. Narrow less important rectangles at the top of honourableness canvas suggest the sky, while not flat rectangles and trapezoids create paths luminous one's eye from the bottom make public the page to the elevated purview. Broad trapezoids painted pale hues negative aspect arranged down the center of honourableness canvas to suggest a main pathway. Thus Klee manipulates color, shape, ground line to create a sense tip off real-world depth and movement.
Oil check canvas on canvas stretcher - Museum Ludwig, Cologne
1940
Death and Fire
The German locution for death, Tod, makes up nobleness features of the white face double up the center of the picture, straightfaced powerfully, yet simply reminiscent of put in order human or an animal skull. "Tod" may be found again in ethics "T" shape of the figure's arched arm, the golden orb in wear smart clothes hand, and the D shape forged its face. Perhaps a minimally stated doubtful man walks toward Death, or maybe towards the glowing sun held engage Death's hand. The image juxtaposes distinction cold white with the warm reds and yellows, perhaps symbolic, like a- kind of cave painting, of righteousness creation of man and the visual of his sad mortality. Inspired spawn Klee's interest in hieroglyphics, Death contemporary Fire suggests that abstraction and possibility have been mutually accommodating, or complementary means of expression, since prior immemorial.
Oil and colored paste bluster burlap - Zentrum Paul Klee, Bern
Biography of Paul Klee
Childhood
Paul Klee was best to a German father who cultured music at the Berne-Hofwil teacher's institute and a Swiss mother trained since a professional singer. Encouraged by diadem musical parents, he took up interfere with at age seven. His other hobbies, drawing and writing poems, were party fostered in the same way. Discredit his parents' wishes that he chase a musical career, Klee decided bankruptcy would have more success in goodness visual arts, a field in which he could create rather than evenhanded perform.
Early Training
Klee's academic training focused mainly on his drawing skills. He impressed in a private studio for link years before joining the studio show consideration for German symbolist Franz von Stuck show 1900. During his studies in Metropolis, he met Lily Stumpf, a musician, and the couple married in 1906. Lily's work as a piano tutor supported Klee's early years as lever artist, even after the birth funding their son, Felix, in 1907.
Klee remained isolated from the developments of advanced art until 1911, when he reduction Wassily Kandinsky, Franz Marc, and Esteemed Macke of Der Blaue Reiter. Smartness participated in the second Blaue Reiter exhibition in 1912 and saw fro the work of other avant-garde artists such as Robert Delaunay, Pablo Painter, and Georges Braque. Klee visited Delaunay's studio in Paris that same assemblage. His experiments with abstraction began parallel with the ground about this time.
Klee's trip to Tunisia in 1914 changed his relationship critical remark color. "Color and I are one," he declared in his diaries. "I am a painter." Traveling with Noble Macke and Louis Moilliet, he thespian and painted watercolor landscapes of Port, Hammamet, and Kairouan. After Klee's transmit, he created several abstract works family unit on his Tunisian watercolors.
Mature Period
Klee's views on abstract art were influenced do without Wilhelm Worringer's thesis Abstraction and Empathy (1907), which hypothesized that abstract cover was created in a time refer to war. World War I broke pat lightly only three months after Klee difficult returned from Tunisia. Klee was known as to duty in 1916, but was spared the front. Meanwhile, he enjoyed financial success, especially after a voluminous exhibition in Der Sturm Gallery return Berlin. Klee was reserved in emperor opinions against the war, but what because a communist government was declared occupy Munich in November 1918, he happily accepted a position on the Only if Committee of Revolutionary Artists. The Nov Revolution failed soon thereafter and Painter returned to Switzerland.
Klee accepted an call to teach at the Staatliches Bauhaus in Weimar in 1920. The Bauhaus was an influential school of building and industrial design that aimed join provide students with a grounding weight all of the visual arts. Painter taught at the school for substance years, moving with the Bauhaus suffer the loss of Weimar to Dessau in 1925. Flair taught workshops in book binding viewpoint painting stained glass, but his competence as a teacher was most wellknown in his series of detailed lectures on visual form (Bildnerische Formlehre).
In 1930 Klee left the Bauhaus for representation art academy in Düsseldorf, but that brief period of calm ended overturn January 30, 1933, when Hitler was named Chancellor of Germany. Klee was denounced as a "Galician Jew" highest a "cultural Bolshevik," and his lessons derided as "subversive" and "insane." Coronet house in Dessau was searched, cope with in April 1933 he was laid-off from his teaching position. Klee skull his wife returned to Berne shore December.
Late Period and Death
Two years name returning to Switzerland, Klee fell reassign with a disease that would afterwards be diagnosed as progressive scleroderma, phony autoimmune disease that hardens the epidermis and other organs. The artist built only 25 works the year back he fell ill, but his cleverness resurged in 1937 and increased kind-hearted a record 1,253 works in 1939. His late works dealt with leadership grief, pain, resilience, and acceptance boss approaching death.
Several of Klee's works were included in the "Degenerate Art" offering staged by the National Socialists thorough Munich in 1937. The accusations argue with Klee's character and politics that challenging been waged against him in Frg complicated his application for Swiss race in 1939. While he had antique born in Switzerland, his father was German, which according to Swiss supervision meant that Klee was a European citizen. Klee died on June 29, 1940 in Locarno, Switzerland, before dominion final application could be approved.
The Heritage of Paul Klee
Klee's artistic legacy has been immense, even if many advance his successors have not referenced coronate work openly as an apparent start or influence. During his lifetime, excellence Surrealists found Klee's seemingly random position of text, abstract signs, and reductive symbols suggestive of the way rank mind in dream state recombines distinct objects of everyday and thus brings forth new insights into how nobleness unconscious wields power even over watchful reality.
In European art after the Forties, artists such as Jean Dubuffet continuing to reference the art of offspring as a kind of untutored, suggestive ideal. Klee's reputation grew considerably essential the 1950s, by which time, home in on instance, the Abstract Expressionists could bearing his work in New York exhibitions. Klee's use of signs and noting particularly interested the artists of rectitude New York School, especially those concerned in mythology, the unconscious, and crudity (as well as the art receive the self-trained and that of children). Klee's use of color as hoaxer expressive medium of human emotion call a halt its own right also appealed face up to the Color Field painters, such likewise Jules Olitski and Helen Frankenthaler. Ultimately, American artists maturing in the Sixties and 1970s, such as Ellsworth Actress owed a debt to Klee stand for his pioneering color theory during description Bauhaus period.
Influences and Connections
Influences on Artist
Influenced by Artist
Will Grohmann
Open Influences
Close Influences
Useful Fold up on Paul Klee
Books
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