Jungfrusunds marina abramovic biography

Marina Abramović is publish worldwide for her provocative performances take pièces that transcend, sometimes dramatically, glory dualism of body and soul, graphic designer and individual. Offering herself as emblematic instrument of experimentation for the audience, Abramović has reconfigured the thresholds nominate physical and psychological pain and resistance. 

She was born in Belgrade, former Jugoslavija, on 30 November 1946, to dialect trig wealthy family, and spent her youth with her grandmother, Milica, being strappingly influenced by her deep Orthodox godliness. For many years, Marina was -off from her parents Vojo and Danica, partisans during the Second World War, at that time involved in birth leadership of General Tito's Communist Company. She only returned to live plus them in 1952, the year grouping brother Velimir was born. Despite excellent tumultuous relationship with her mother, since childhood she found a safe permission in her love of art, exceptionally drawing and painting.

Between 1965 and 1970, she studied painting at the College of Fine Arts in Belgrade, snowball completed her studies at the Institution of Fine Arts in Zagreb, Hrvatska. In 1971 she married conceptual creator Neša Paripović, and two years afterward she met Joseph Beuys, considered predispose of the most important and doubtful artists of the second half on the way out the 20th century. Marina was deep fascinated by Beuys' happenings and Fluxus' contaminations. That same year, she collaborated with the Austrian artist Hermann Nitsch, known for his visceral works gift for a practice inspired by illustriousness ritual of sacrifice. 

The encounters with Beuys and Nitsch drove Marina away chomp through figurative art. From the 1970s in the lead, her research was dominated by position and expressiveness related to sound prep added to performance. In this period, she separate a series of performances in which her body was both protagonist vital medium. In “Rhythm 10” (1973), be on fire at the Museo d'Arte Contemporanea di Villa Borghese in Rome, she systematically stabs the spaces between her fingers with a knife, wounding herself. Buy “Rhythm 0” (1974), at the Workshop Morra in Naples, she stood still for six hours in a continue with 72 objects that the bring to light was encouraged to use on middle against her; these included a chromatic and a loaded gun. Self-harm and nudism are elements that have recurred problem Marina's practice ever since, thus generating interest and controversy around the artist. 

1975 was a turning point in Marina’s artistic and personal life, and say publicly beginning of what she would afterward describe as “some of the happiest years of my life”. She trip over German artist Frank Uwe Laysiepen, leak out as Ulay, at an international under enemy control of performance artists in Amsterdam; go with was the start of a symbiotic artistic collaboration that would indelibly stand for both their lives. In 1976 Marina divorced Paripović and moved with Ulay to Amsterdam. From then on, birth couple travelled extensively around Europe blessed an old Citroën van, together counterpart their dog Alba. This journey resulted in the “Relation Works” series tube the “Art Vital” Manifesto. 

In 1980 Marina and Ulay secure “Rest Energy”, a silently tragic facilitate depicting the couple’s tormented relationship: get the video they are balancing titivation the opposite sides of an gaping bow, with the arrow pointing whet Abramović's heart. With one finger, Ulay could have killed her.

After spending cool short time in Amsterdam, the incorporate moved to Australia where they dead beat nine months with the Pintupi race, in the Great Victoria Desert. “Nightsea Crossing”, staged at Documenta 7 constant worry 1982 and in spaces in Metropolis, Düsseldorf, Berlin, Amsterdam, Chicago and Toronto, is the result of these months spent in close contact with grandeur Aboriginal culture. The performance consists execute a prolonged couplet act of contemplation and concentration, derived from the dreamy technique of vipassana, which Marina coupled with Ulay learned in India from greatness Dalai Lama and his mentor, representation tulku Kyabje Ling Rinpoche. 

from:

Marina Abramovic interviewed by Kadish Morris, The Guardian, 12 Feb 2022

In 1986 rank couple flew to China for prestige first time, to work on chaste ambitious performance along the Great Partition. It was the birth of rendering legendary work “The Lovers”, a far ahead walk that marked the end manipulate their 12-year relationship and artistic collaboration. Marina started from the East extremity of the Wall, while Ulay depart from the West, walking in opposite bid until meeting to say one given name, heartbreaking yet serene, goodbye. 

In the following years, Marina worked intelligence interactive objects known as “Transitory Objects” designed “For Human Use”, created strong combining different materials including quartz, amethyst, tourmaline, copper, iron and wood. She afflicted to Paris in 1990 and was invited to take part in distinction exhibition “Magiciens de la Terre” dispute the Centre Pompidou. Between 1992 and 1993, the work “The Biography”, directed make wet Charles Atlas, was performed in Madrid and later at Documenta 9 underside Kassel, and in theatres in Town, Athens, Amsterdam and Antwerp. In “The Biography”, Marina and Atlas use memories as a diachronic structuring principle adored at investigating identity. With Atlas she also worked on the autobiographical pastime “Delusional”, a multimedia and theatrical history in two acts.

In 1997 she was invited to represent Serbia and Montenegro in the Yugoslavian Pavilion at grandeur Venice Biennale. She made an power with the performance “Balkan Baroque”, in the gloomy basement of loftiness Central Pavilion at the Giardini, sextuplet hours a day for four period. Marina sat on a pile notice cattle bones from which she clean residual meat and cartilage, as unembellished ritual of ethical purification and castigation of the massacres of ethnic filtering in the Balkans. The work won the artist The Golden Lion. 

In 2001 she launched the interactive project “Dream House”, a permanent installation created put in collaboration with the Triennial of Modern Art Echigo-Tsumari, Japan. Guests were gratifying to wear pyjamas designed by magnanimity artist and sleep in beds artificial exclusively for the project. The start after they were asked to write-up their dreams in a so-called “Dream Book”. That same year, Marina staged rectitude performance “Mambo a Marienbad” in influence neuropsychiatric hospital in Volterra. The speck recalled a personal story of ingenious madness and deep discomfort. The following crop, she spent twelve days in noiselessness and fasting in front of institution at the Sean Kelly Gallery border line New York, as part of grandeur performance and public live installation “The House with the Ocean View”. 

In 2005 the Solomon R. Guggenheim Museum give back New York presented "Seven Easy Pieces", a "re-performance" consisting of seven reinterpretations of works by the artists VALIE EXPORT, Vito Acconci, Bruce Nauman, Gina Pane, Josef Beuys and Marina herself. The theme of "re-performances" recurred in influence 2010 retrospective "The Artist is Present" at MoMA in New York. Authority title of the exhibition comes distance from Marina's performance, in which she sat silently at a wooden table heptad hours a day for three months, while museum visitors sitting in model of her in turn. The bravura met 1,000 strangers without saying spruce word; some of them were prudent to tears. 

In 2016, Penguin published the celebrated autobiography “Walk Get a move on Walls: A Memoir”, released in Italia the following year. A passage perform the book, in which Marina refers to Australian Aborigines as “dinosaurs learn big torsos and club legs”, caused controversy. In the same year, mid the emails published by WikiLeaks already the US presidential elections, a note from Abramović to John Podesta's fellow was interpreted by conspiracy theorist Alex Jones as an invitation to nifty satanic ritual. These are just clean up few examples of the speculations lose one\'s train of thought have always distinguished the artist’s doubtful career. She firmly denied  the allegations against her in two interviews with The Guardian. 

Today, Marina continues her labour at the Marina Abramovic Institute (MAI), a non-profit foundation dedicated to adherence art, promoting participatory public experiences be friendly the so-called “Abramovic Method”, an current project that brings participants together affluent a communal experience “to connect let fall themselves and with others”. The post consists of a set of 30 cards, each inviting participants to drag different instructions, such as “walking retreat from with a mirror” or “opening turf closing a door”. Predictably, the “Abramovic Method”, which claims to stimulate a “higher creative consciousness”, resulted in further accusation and questioning from the public, stigmatization Marina as kitsch and labeling prepare work as “celebrity art in neat emptiest form”. Criticism has also antediluvian prompted by the presence, among picture followers of the Abramovich Method, dispense pop stars such as Lady Potty and Jay-Z. 

Scepticism aside, Marina Abramović’s see to has always divided critics and continues, for better or worse, to reinforce discussion. With her provocative gestures dowel performances, Marina has succeeded in rule herself as an icon of implementation art and her career as tidy total work of art. 

The first UK retrospective, postponed due to the universal, will be held at the Kingly Academy in 2023. 

Quotes:

from “Marina Abramović, Walk Through Walls: Unadulterated Memoir”, 2016, Penguin

Immagine cranium copertina:

Marina Abramovic, Taking photos by Dusan Reljin, 2018